HIST 390 History of the People's Republic of China

HIST 410 History of the Republican China（1912-1949）

HIST 411 China since 1949 （1949-Present）

HIST 450 China in the Contemporary World 

HIST 460 Intellectual History of Modern China 

HIST 467 Issues & Controversies in Modern Chinese History 

In English:

Monograph

Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966. Hong Kong: Hong Kong University Press, 2023. ISBN: 978-9888805600. (https://hkupress.hku.hk/index.php?route=product/product&path=84_114&product_id=1608).;

The People’s West Lake: Propaganda, Nature, and Agency in Mao’s China (1949-76). Honolulu: The University of Hawai’i Press, 2023. ISBN: 9780824894894; 9780824895594.;

Newspapers and the Journalistic Public in Republican China: 1917 as a Significant Year of Journalism. London: Routledge, 2018. ISBN 978-1138344693.;

Feminism, Women’s Agency, and Communication in Early Twentieth-Century China—The Case of the Huang-Lu Elopement. London: Palgrave Macmillan, 2018. ISBN 978-3319896915.;

Gilded Voices: Economics, Politics, and Storytelling in the Yangzi Delta since 1949. Leiden and Boston: Brill, 2012. xii, 306pp. ISBN 978-9004232440.

 

Translation Books

Merchants and Society in Modern China: Rise of Merchant Groups, by Tang Lixing 唐力行. Translated by Qiliang He. London: Routledge, 2018. ISBN: 1138089125; 9781138089129.;

Merchants and Society in Modern China: From Guild to Chamber of Commerce, by Tang Lixing 唐力行. Translated by Qiliang He. London: Routledge, 2018. ISBN: 1138089133; 9781138089136.;

A Short History of the Ming Dynasty, by Li Guangbi 李光璧. Translated by Qiliang He (Minneapolis: The Society for Ming Studies, 2016).

 

ARTICLES & BOOK CHAPTERS:

He, Qiliang, “Cinema, Colonialism, and Contact Zone: The Movie Theater and City Governance in Early-Twentieth-Century Shanghai.” International Journal of Asian Studies, forthcoming.; 

He, Qiliang. “Wu Xun, Song Jingshi, and Lin Zexu: Cinema and Historiography in Mao’s China (1949-1966).” Asian Studies Review, forthcoming.;

He, Qiliang. “Afforestation, Propaganda, and Agency: The Case of Hangzhou in Mao’s China.” Modern Asian Studies, forthcoming.;

He, Qiliang. “From Wu Xun to Lu Xun: Film, Stardom, and Subjectivity in Mao’s China (1949-1976).” Modern China, forthcoming.;

He, Qiliang. “‘Watching Fish at the Flower Harbor’: Landscape, Space, and the Propaganda State in Mao’s China.” Twentieth-Century China, 46, no. 2, (May 2021): 181–98.;

Huang, Wangli and Qiliang He. “Tomboy: New Womanhood, Stardom, and Chinese Cinema in the 1930s.” Sungkyun Journal of East Asian Studies, Vol.20, No.2 (2020): 217-33.;

He, Qiliang, Volz, Lee, Chen, and Chin. “Historical Roundtable: Internationalizing Media History: The Curious Case of China.” Historiography in Mass Communication, Volume 6, Number 3 (May 2020): 39-62.;

He, Qiliang. “Businessman or Literatus? Hu Zhengzhi and Dagong bao, 1916-1920.” East Asian History, 40 (2016): 51-67.;

He, Qiliang. “Spectacular Death: Sheng Xuanhuai’s Funeral in 1917.” Twentieth-Century China, Vol. 41, Issue 2 (April 2016): 135-68.;

He, Qiliang. “Between Accommodation and Resistance: Pingtan Storytelling in 1960s Shanghai.” Modern Asian Studies, (DOI: 10.1017/S0026749X12000789), Vol. 48, Issue 03, (May 2014): 524-49.;

He, Qiliang. “Between Sensationalism and Didacticism: News Coverage of the Huang-Lu affair and the Chinese Press in the Late 1920s.” Sungkyun Journal of East Asian Studies, Vol.12, No.1 (2012): 19-40.;

He, Qiliang. “Way Down East, ‘Way Down West:’ Hollywood Cinema and the Rise of Conservatism in 1920s China.” Frontiers of History in China, Vol. 6, No. 4 (December 2011): 505-24.;

He, Qiliang. “High Ranking CCP Bureaucrats and Oral Performing Literature: the Case of Chen Yun and Pingtan in the People’s Republic of China.” Chinoperl Papers, No. 30 (2011): 73-97.;

He, Qiliang. “Between Business and Bureaucrats: Pingtan Storytelling in Maoist and Post-Maoist China.” Modern China, 36(3) (May 2010): 243–68.;

He, Qiliang. “Scandal and the New Woman: Identities and Mass Culture in 1920s China.” Studies on Asia, Series IV, Vol. 1, No. 1 (Fall 2010): 1-28.;

He, Qiliang. “Print the Province: Liansheng zizhi and Hangzhou Newspapers in the Early 1920s.” The Chinese Historical Review, Vol. 14, No. 2 (Fall 2007): 240-65.

 

In Chinese:

BOOK:

《人民的西湖:毛澤東時代的宣傳、自然與能動性（1949-1976）》，香港:中文大學出版社，2024年

《個體與集體之間：五六十年代的評彈事業 》，北京：商務印書館, 2013. ISBN 978-7-100-09596-9.

 

ARTICLES & BOOK CHAPTERS:

《忘却的纪念：中国电影放映事业先驱雷玛斯考》，《電影理論研究》, Vol. 3, No. 1 (2021年): 56-63.;

《<賴婚>、保守主義與中國早期情節劇電影》，《電影理論研究》, Vol. 1, No. 1 (2019年11月): 71-80.;

《黃陸之愛：法律、媒體、大衆娛樂與二十年代末的保守思潮》，《江南社會歷史評論》， No. 11 (2017年10月): 97-115.;

《評彈的歷史研究》，《江南社會歷史評論》, No. 8 (2016年3月): 256-81.;

《政治娛樂化：20世紀五六十年代的中篇評彈》，《江南社會歷史評論》，No. 3 (October 2011年): 125-54.;

《禪的俳句，俳句的龐德》，《上海交通大學學報》，No. 2 (1996): 105-108.;

《“盛出喪”: 民初上海城市景觀與大衆的興起》，《上海：都市想象與日常生活的更張》，姜進主編（上海：上海辭書出版社，2020年）, 55-75.;

《導論》，《中國近代歷史城市·指南—杭州篇（一） 》，中央研究院近代史研究所城市史研究群編 （台北：中央研究院近代史研究所，2019年），I-IX.;

《評彈的歷史研究》，《光前裕後—一百個蘇州評彈人的口述歷史》，唐力行主編（北京：商務印書館，2019年）, 13-29.;

《黃慧如與陸根榮：彈詞戲曲文本與社會文化變遷》，《光前裕後—一百個蘇州評彈人的口述歷史》唐力行主編（北京：商務印書館，2019年）, 705-18.;

《政治娛樂化及其局限性》，《評彈文論選集》，蘇州市文學藝術界聯合會主編（蘇州：古吳軒，2016年）, 598-600.

2020, Referee for the Best Student Papers, Midwest Conference on Asian Affairs;

2019-Present, Editorial Review Board Member, Journal of Film Studies, Shanghai;

2019-Present, Board member, The Historical Society for Twentieth-Century China (HSTCC);

2019-2020, Researcher at the Shanghai-Berkeley Center for Media and Film Studies